Anna and her lodger, Mr. Kurtz, have come to terms with each other in their shared flat. But both Mr. Kurtz's planned conversion of the cosy four walls into a smart home and Anna's feelings for a new acquaintance shake up their life together.

Fun-loving Anna and her brittle lodger Mr. Kurtz are already living under the same roof as an old married couple. The balance of opposites threatens to tip when Anna's helper syndrome kicks in twice. Her friend Gundi, who has injured her knee, needs help with her everyday life and a barrier-free home, but she can hardly afford a new apartment on her meagre pension. Anna's ex Willi needs a place to stay even more urgently. Soon there is the danger of a senior citizens' flat share.

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8-part youth series on the subject of love and sexuality. The self-contained episodes focus on young people between the ages of 12 and 18. Their experiences, especially during puberty, are accompanied by contradictory feelings, curiosity and fear, hopes and disappointments. The eight stories tell how they deal with these feelings. They are therefore not to be understood as sex education films, but rather confront young people with the question of the interpersonal significance and the consequences of sexuality in relationships. Topics such as first menstruation, first sexual contact, homosexuality, wanted and unwanted pregnancy, partner problems and conflicts at home are addressed and portrayed, as are the possible psychological consequences of AIDS.

Detlev, a single insurance clerk in his 30s, is kept dependent by his loving and caring mother and loses his girlfriend Karin as a result. Grief and an alcoholic chance acquaintance prompt him to place an ad for marriage. Detlev gets caught up in a whirlwind of friendships and love affairs: with the caring widow Karin; the well-to-do hair salon owner Ute Schöbel; the cultural editor Norma Goldbach, the photo reporter Kerstin and the student Andrea Binz. Detlev, who initially proves himself as a friend and advisor, but also as a lover, becomes increasingly self-confident. He is also successful in his work and finally emancipates himself from his mother. Although he loses "his" women in a turbulent odyssey, Detlev has transformed himself from a mama's boy into a thoroughly acceptable man.

Andrea recently lost her husband. Since then, she has been trying to keep her indebted art and junk store afloat on her own. The widow gives her beau Ludwig the cold shoulder - until she discovers in her grief that her husband of eleven years had a mistress.

Judith, an investigative journalist, begins to unravel a murder mystery that implicates one of her current lovers. When she checks out a peep-show business on the seedy side of Hamburg as part of the investigation, she runs into a former boyfriend who used to be a psychiatrist but is now an arms dealer. Judith is lured back into his fold, cheating on her current lovers, one of whom is also a shrink. Despite her profession, or perhaps because of it, Judith tends to blend fantasy and reality, so small wonder she is attracted to psychoanalysts. But, two shrinks and a murder prove more than Judith can handle. 　　"Valie Export's third feature is an anti-romance in which the heroine, oscillating between two relationships, 　　gradually discovers that both are impossible, not because the subjective processes of "love" are defective, 　　but because the objective, social matrix in which both her male lovers operate is corrupt, immoral, murderous: 　　in this film, the male world and its power structures cancel the possibility of love beyond the matter of sexuality, 　　that is the objectification of love. Export makes use of techniques drawn from her earlier experimental cinema, 　　video and conceptual photography to expand the possibilities of narrative feature filmmaking and to disintegrate 　　some of its overdetermined conventions." 　　Video control in subway stations and in street traffic, tapes and cameras are very important 　　for the structure of the film. Mediocrity, hypocrisy and violence are the film's main themes. 　　Valie Export deals with them on private, social and media levels, adhering to the techniques 　　of video avant-garde.

Charly was a clown before he lost his talent for making people laugh. When Charly loses his last engagement, he decides to take his own life. He jumps off a bridge under which Karla, a notorious merrymaker, is disposing of her latest victim. His suicide attempt fails, so Charly blackmails Karla: either she kills him or he betrays her to the police. Karla is a lust murderer, she only kills who she loves - and Karla simply can't feel anything for the world-weary clown. When all attempts to kill her fail miserably, Charly has a plan: laughter is the best aphrodisiac. Charly wants to make Karla laugh, make her fall madly in love with him and then finally be able to kill him.